In a guest blog post, Matthew Mugmon offers a musicological reflection on the Canadian Brass after seeing the Washington National Opera production of Porgy and Bess
This conference at UCLA looks great! But would you really expect otherwise?!?
Guest Blogger Lincoln Ballard shares his thoughts on the Vatican’s recently announced choices for the ten best albums in pop music history.
Guest-poster Zoe Lang chimes in on the recent AMS-listserv paleography discussion and considers how we might revise our musicological toolbox for the betterment of interdisciplinary dialogue.
Film score czar and music theorist Frank Lehman delves into the soundscape of John Williams’s 2001 score for A.I.:Artificial Intelligence and offers insight into why it stands out as one of decade’s best.
Kate van Orden, the Journal of the American Musicological Society, and the asterisk.
The Only Constant is Change.